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To Infinity and Beyond: A Cultural History of the Infinite, by Eli Maor
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Eli Maor examines the role of infinity in mathematics and geometry and its cultural impact on the arts and sciences. He evokes the profound intellectual impact the infinite has exercised on the human mind--from the "horror infiniti" of the Greeks to the works of M. C. Escher; from the ornamental designs of the Moslems, to the sage Giordano Bruno, whose belief in an infinite universe led to his death at the hands of the Inquisition. But above all, the book describes the mathematician's fascination with infinity--a fascination mingled with puzzlement. "Maor explores the idea of infinity in mathematics and in art and argues that this is the point of contact between the two, best exemplified by the work of the Dutch artist M. C. Escher, six of whose works are shown here in beautiful color plates."--Los Angeles Times "[Eli Maor's] enthusiasm for the topic carries the reader through a rich panorama."--Choice "Fascinating and enjoyable.... places the ideas of infinity in a cultural context and shows how they have been espoused and molded by mathematics."--Science
- Sales Rank: #285395 in Books
- Published on: 1991-07-09
- Original language: English
- Number of items: 1
- Dimensions: 9.40" h x 1.00" w x 6.40" l, 1.02 pounds
- Binding: Paperback
- 304 pages
Review
"Maor explores the idea of infinity in mathematics and in art and argues that this is the point of contact between the two, best exemplified by the work of the Dutch artist M. C. Escher, six of whose works are shown here in beautiful color plates."--Los Angeles Times
"Fascinating and enjoyable . . . [P]laces the ideas of infinity in a cultural context and shows how they have been espoused and molded by mathematics."--Science
From the Back Cover
'Maor explores the idea of infinity in mathematics and in art and argues that this is the point of contact between the two, best exemplified by the work of the Dutch artist M.C. Escher, six of whose works are shown here in beautiful color plates.' -Los Angeles Times
Most helpful customer reviews
47 of 53 people found the following review helpful.
What do Nothingness and Infinity have in common?
By Timothy J. Spencer
Maor is thoroughly at home in the realm of mathematics, its history and the frequent detours into the lives of the men who have brought its secrets to light. To Infinity and Beyond is a lighter read than either e, the Story of a Number or Trignometric Delights (his two previous titles). However, this work is infinitely enlightening and exponentially chocked full of "aha's". Maor enriches the reader's understanding not only of mathematics but the culture in which it has flourished. An absorbing read.
17 of 19 people found the following review helpful.
Should appeal to both mathematicians and poets
By Duwayne Anderson
Maor has written a book for both mathematicians and poets. Since he is a mathematician himself there is, to be sure, plenty of math in Maor's book. But the book should also appeal to the aesthetic side of many readers (me included) by exploring human perspectives of infinity, such as how we try to relate to the concept at a personal level, and how different people have tried to capture the notion in art and prose.
The book is arranged in four parts, dealing with the mathematical concept of infinity (how it shows up in algebra, etc.), geometrical infinity, aesthetic infinity (both art and poetry) and cosmological infinity.
The section on mathematical infinity has the typical assortment of historical examples, beginning with examples like the runner's paradox made famous by Zeno. There are also examples of infinite series that converge, including examples of how ancient mathematicians invented infinite series for transcendental numbers like pi. There's a plethora of little tidbits found throughout this section in little mini chapters that are short essays, only a few pages long, that give surprisingly succinct, tantalizing, and often delicious examples of mathematical infinity. Reading this book I was struck by what good reading it makes for any student preparing to take a class in calculus.
Some of the author's most interesting material is the author's discussions about infinite series. I particularly enjoyed his examples how the associative property doesn't hold for infinite series (a non-intuitive fact that often comes as a surprise to many new students). Ordinarily, if you have a string of numbers that are connected by addition (x1+x2+x3+..+xn) for example, you can rearrange their order and get the same result. One of the strange things about infinity, though, is that rearranging the terms in an infinite series can result in the limit of the series changing from one number to another.
Of course no discussion about infinity would be complete without mentioning Cantor, which Maor does with particular clarity for first-time readers. Indeed, this is one of the things I like about Maor best - he's written a book that is fun to read, even if you already know most of the stuff. It's engaging and entertaining, and full of "ahh" and "ohhh" even when you find yourself reading about something you studied many years ago. At the same time this is a good introductory text for anyone (I'm thinking youngsters in high school) who wants to start exploring some of these mathematical concepts, and need a friendly introductory text. If you can manage first-year algebra you have the tools you need to follow what Maor is talking about, though be advised that he doesn't shirk when producing equations, though most of the math is relegated to the appendices.
The section on geometric infinity is punctuated by nice illustrations and those geometrical shapes that you may have heard about - the ones with things like finite volume but infinite surface area. This was one of those rare occasions where I found myself wishing Maor had gone a little further. Instead of simply showing how such objects exist in mathematics, he really should have explained the apparent "paradox" (it's not hard). Instead, he makes the example more of a "paradox" than it really is by mixing metaphors in talking about "painting" the surface. Of course mathematicians have one idea about painting a surface (mathematical paint has no thickness), but the beginning reader is likely to be mostly confused - too bad, since Maor clearly has the skill to explain the trick.
Maor's exploration of the infinite is (almost) infinite. He has a wonderful section on tiling, and some brilliant plates representing some of the best mathematical art that attempts to depict the nfinite. The section on cosmology and the infinite is a nice summary of the history of astronomy and how astronomers and cosmologists have vacillated over the years between a cosmos that is infinite, then finite and bounded. I thoroughly enjoyed reading this book. It is well written and both easy and fun to read. My only complaints are rather minor. Several times Maor treats infinity as a "big number" (it's not a number at all, and he makes that clear, but his terminology on this score isn't as consistent as it should be). And, he refers to mathematics as a science. Well, I suppose he's entitled to his opinion on that one,
though I imagine it will continue to be debated. Count me as one of those who puts mathematics in the "tools" category, separate from science.
The fact these inconsequential gripes are all I can find to complain about tells you what a really fine book this is. If you love mathematics, this book really needs to be in your library.
31 of 32 people found the following review helpful.
The Infinite in Nature
By J. Grupp
Maor titles his book "a cultural study," but the cultural work domainates the second half of the book. The first half--which is more interesting than the second half--is a truly amazing analysis of just what the infinite is. Maor goes into detailed discussion of the nature of infinity in prime numbers, irrationals, rationals, and so on. The patterns, surprises, and mysteries of number fields are discussed with perfect clarity. Other issues involving infinity are mapped with equal precision and clarity for the beginner. The second half of the book involves studying the infinite in Escher's art, in geometric systems before and after Euclid, and in art, theology, science, singularities, and etc. Overall, for those interested in the mecahnics of nature, this book is not to be passed up!!! But be cautioned, this book is for beginners, for those only interested in grasping basic concepts of mathematics, not intense formulas that lead to singularities, for example. I am a graduate student in philosophy, so it served my purposes to the maximum level.
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