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This singular collection is nothing less than a political, spiritual, and intensely personal record of America’s tumultuous modern age, as experienced by our foremost critics, commentators, activists, and artists. Joyce Carol Oates has collected a group of works that are both intimate and important, essays that move from personal experience to larger significance without severing the connection between speaker and audience.
From Ernest Hemingway covering bullfights in Pamplona to Martin Luther King, Jr.’s “Letter from Birmingham Jail,” these essays fit, in the words of Joyce Carol Oates, “into a kind of mobile mosaic suggest[ing] where we’ve come from, and who we are, and where we are going.” Among those whose work is included are Mark Twain, John Muir, T. S. Eliot, Richard Wright, Vladimir Nabokov, James Baldwin, Tom Wolfe, Susan Sontag, Maya Angelou, Alice Walker, Joan Didion, Cynthia Ozick, Saul Bellow, Stephen Jay Gould, Edward Hoagland, and Annie Dillard.
- Sales Rank: #30850 in Books
- Brand: Mariner Books
- Published on: 2001-10-10
- Released on: 2001-10-10
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.65" w x 6.00" l, 1.60 pounds
- Binding: Paperback
- 624 pages
- Mariner Books
Amazon.com Review
The title The Best American Essays of the Century seems transparent enough, but don't be deceived. What Joyce Carol Oates has assembled is not so much a diverse collection as a sonorous march through what keeps getting called the American century. Read this not as a collection to dip into but as a history--a history of race in America. Oates says it best herself in her introduction: "It can't be an accident that essays in this volume by men and women of ethnic minority backgrounds are outstanding; to paraphrase Melville, to write a 'mighty' work of prose you must have a 'mighty' theme." The mighty pens at work here belong to, among others, Zora Neale Hurston ("How It Feels to Be Colored Me"), Langston Hughes ("Bop"), and James Baldwin ("Notes of a Native Son"). Oates has opted not for the most unexpected but for the most important and stirring essays of our time.
Other chords sound repeatedly as well: the problem of our relationship with nature (Annie Dillard, John Muir, and Gretel Ehrlich); the difficulty of identity in disrupted times (F. Scott Fitzgerald, Joan Didion, and Michael Herr). In her essay "The White Album," Didion famously declares: "We tell ourselves stories in order to live." The stories Oates has collected are not easy. Here is the hard-won truth, from writers unwilling to forgive even themselves. Even Martin Luther King Jr. doesn't let himself off the hook, as he writes in his "Letter from Birmingham Jail": "If I have said anything in this letter that is an overstatement of the truth and is indicative of an unreasonable impatience, I beg you to forgive me. If I have said anything in this letter that is an understatement of the truth and is indicative of my having a patience that makes me patient with anything less than brotherhood, I beg God to forgive me." --Claire Dederer
From Publishers Weekly
"Here is a history of America told in many voices," declares Oates in her introduction, revealing the heart of her intelligent and incisive collection of 55 essays by American writers. Never attempting to capture or replicate a single, authentic "American identity," this collection succeeds by producing a comprehensive and multifaceted look at what America has been and, by extension, what it is and might become. While it's not explicitly political, the volume's multicultural intentions are visible. Beginning with "Cone-pone Opinions," a 1901 Mark Twain essay that uses the wisdom of an African-American child as its central image, Oates has fashioned a collection that calls attention to the way that "America" is made up of competing, and often antagonistic, cultural and social visions. There is not only the apparent contrast between the populist, overtly political visions of W.E.B. Du Bois's "Of the Coming of John," James Baldwin's "Notes of a Native Son" and Mary McCarthy's "Artists in Uniform" and the cultural elitism of T.S. Eliot's "Tradition and the Individual Talent." Oates has managed to find numerous pieces whose vision and philosophy resonate with one another without becoming homogeneous, so Gretel Ehrlich's meditation on pastoral aesthetics in "The Solace of Open Spaces" contrasts abruptly and ingeniously with Susan Sontag's urban-centered "Notes on Camp." In all, Oates has assembled a provocative collection of masterpieces reflecting both the fragmentation and surprising cohesiveness of various American identities. QPB and History Book Club selections; BOMC alternate. (Sept.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
One of the pleasures of an anthology like this is reading people you might not otherwise have picked up. Like John Muir, whose "Stickeen," a life-and-death adventure on an Alaskan glacier with a singular small black dog, is a great piece of adventure writing. Or Jane Addams, whose insights into the spread of an urban legend of "The Devil Baby at Hull House" are thoughtful and compassionate. Another sort of pleasure comes from rereading familiar works in a new context: E.B. White's "Once More to the Lake," N. Scott Momaday's "The Way to Rainy Mountain," John McPhee's "The Search for Marvin Gardens," and Annie Dillard's "Total Eclipse." Only seven of the essays come from the annual "Best American Essays" series that Atwan has coedited since 1986. The other 48 were culled from the rest of the century, with the ruling idea, Atwan says, "that the essays should speak to the present, not merely represent the past." Oates looked "for the expression of personal experience within the historical." They have created a mosaic of a century in an America whose dominant and recurring theme has been race. Essential for most libraries.DMary Paumier Jones, Westminster P.L., CO
Copyright 2000 Reed Business Information, Inc.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Busy Work And Worth It
By Jeremy Schmidt
Remember, when you heard about that essay by Joan Didion and were like, "Man, I should totally look that up and read that." This is basically the complete works of all those essays you've ever heard of and authors you've been meaning to research and get-to-know. Essays like Illumination Rounds by Michael Herr, are good examples of the raw roughness of the sixties (Vietnam era) exuberance, and quickly moving to others like E.B. White who challenge us to use the calming whim of our senses to recall memories, make this collection an astounding preservation of great works of non-fiction, but also a preservation of history. Many of these accounts serve as windows into the worlds they come from, and in them we are able to experience both an emotional reflective charge, as well as, an expansive historical catalogue.
1 of 1 people found the following review helpful.
Five Stars
By Carrie Nelson
If you like the personal essay, this book is a must. I'm very happy with the collection.
0 of 0 people found the following review helpful.
Okay for me
By CKL
These were okay essays but I am not so sure I would say they are the "Best. . . " ones.
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